Monthly Archives: May 2013

Untitled

Scott Hunt: Photography

I was in the USAF when trouble began to brew for me. After being discharged from the USAF in ’95, I was having great difficulties maintaining a job. My life was a roller coaster and I almost lost the love of my life. I went to the Denver VA and had my self-placed on the mental ward, where I was diagnosed as bipolar. Many medications later, I have finely come to the conclusion this is a part of who I am. I have embraced this part of me, I truly feel without being Bi-Polar I could never see the world the way I do. These things I cannot explain, but can only share this understanding with others whom have the same sight I do. I am Bi-Polar and proud of it. I love art it is the only way I know how to express myself, I am also a poet, and struggling writer. Without art, there would be no life, for life is art. Oh, also I currently live in Montana.

Forecast Calls for Frogs

Alexandra Petersen: Paintings

Alex Petersen is an artist living and working in Portland, Oregon. Being raised with a mother who was also an artist and teacher, art has long been a defining part of her life.

Alex works with encaustic over pen and ink drawings when not hiding from the dark or wildly chasing after rainbows. Finally receiving a proper diagnoses of bipolar II after years of dealing with a brain full of chiaroscuro, she is just now trying to get used to a new normal.

Alex has had solo shows throughout the Portland area, including the Bella Perla Gallery and the Tyson Gallery, as well as numerous public venues. Current works focus on themes of isolation and introspection, and the subtle strangeness of childhood memories and dream states. Animals are often featured prominently, serving as symbolic manifestations of the hopes and fears of childhood that sleep within us all.

You may find more of Alex’s work on her website here.

Still Open... The Magical Door to Paradise

Bipolar Disorder and Spirituality: The Data of Religious Experience

The idea that mental illness and divine inspiration are connected is extremely old, going back into the very roots of the roots of our language. “Mania” itself is a Greek term that Plato hypothesized is connected to the word “mantikÄ“” or “prophecy”. There was a time when madness was not so much the enemy of reason but the friend to the gods.

If there is something to this connection, and I believe there is, then spirituality is one area in which those of us who are mentally ill may have some special expertise. I know that personally, having bouts of mania and hypomania have been especially influential in the way that I think about beauty, the universe and God. In fact, one of the main reasons that I am religious (I am Catholic) is because I have had to find some way to account for these ecstatic experiences in how I conceive of the world.

I’m going to put forward a hypothesis here that may ultimately be untestable, because it depends so much on shared experience. I’m hoping it will at least be expressible. The hypothesis is the following: mania and extreme hypomania give us direct access to the “data” out of which many spiritual experiences, including those of non-bipolar people or non-episodic bipolar people, are composed.

Spirituality and Objects

Spiritual experience is impossible really to express except in works of art that replicate the experience.

"Observer" by Hartwig Kopp-Delaney

“Observer” by Hartwig Kopp-DelaneyCC BY-ND 2.0

Let me explain. Even when I’m not episodic, when I enjoy a work of art, experience a beautiful work of nature, or am inspired by a prayer, there is something about those experiences that allows me to call them “spiritual.” It is what allows me to point at these disparate events and say, “There is something about the universe, or perhaps something about the way that I experience the universe, that inspires awe.” Spiritual experience is impossible really to express except in works of art that replicate the experience. However, since everyone has these spiritual experiences, we can talk about what they might mean.

These experiences can happen in just about any context, but they do cluster around beauty. At this point, people go different routes. Those who gravitate toward religion and spirituality will see the experiences as actually expressing something about the world, showing us that at its core is something beautiful that is communicating with us. Those who do not will try to find something about human nature that triggers aesthetic experience in certain contexts.

In either case, though, when I’m not episodic, I will have certain spiritual experiences, that is, things or events in the world that inspire me. I say, “That is a beautiful sunset,” or, “Being a father is marvellous.” When I’m not episodic, I encounter this beauty as being in the world.

Spirituality without Objects

From the outside, people stop being able to follow me because I’ve stopped making any sense, but from the inside, everything starts making too much sense to follow.

Still Open... The Magical Door to Paradise

“Still Open… The Magical Door to Paradise” by Hartwig Kopp-DelaneyCC BY-ND 2.0

When I’m manic, though, or when extremely hypomanic, my experience of the beautiful gets ripped from its objects entirely. Instead, it becomes a kind of pure experience that starts to find its way into anything I encounter. It will follow me even if I close my eyes into whatever I imagine, and even when I stop imagining.

Everything becomes a pattern and everything starts to make sense, though I couldn’t possibly express what sense it makes. Events become serendipitous, words and concepts flow together and apart in so many different ways, that my purely linear speech can’t keep track of them and my limited memory forgets. From the outside, people stop being able to follow me because I’ve stopped making any sense, but from the inside, everything starts making too much sense to follow. The experience is terrifying and wonderful, and I mostly want it to stop.

What happens, then, is that my aesthetic experience simply drops any need it might have for objects or perhaps any particular object. It is like somehow I am not seeing beautiful things but Beauty itself. Of course, at that point, it certainly feels as though I am directly experiencing God, and, depending on how severe the episode is, I might start even that believing I am.

So Now What?

Rather, ecstatic bipolar episodes and everyday spiritual and aesthetic experience are made of the same stuff.

The Adoration of the Lamb on the Throne

Ghent Alterpiece – Public Domain

After the episode is over, I’m dropped back into my euthymic state with memories that may or may not be accurate of what seemed to be a direct experience of the divine. And, of course, I now face the very real question: “What the hell was that?”

I’m not a theologian, and I’ve gone out of my way not to become one, so I won’t discuss it in those terms. What I will discuss is how the experience has actually affected me and the way that I relate to the world.

What I find is that I need to make room for those experiences, not just as something that happens in neatly segmented “episodes”, but as something that I carry with me all of the time. After these experiences, all beautiful things, amazing things and even significant things resemble these ecstatic experiences. It’s like I see their signature on everything.

This happens even when I am completely non-episodic. It isn’t a little bit of an episode left over, like residue. Rather, ecstatic bipolar episodes and everyday spiritual and aesthetic experience are made of the same stuff. The difficulty is that the episode was that stuff in its pure, unrefined form. And I am reminded of that on a daily basis, even when I’m completely non-episodic.

So, now I’ve got my ecstatic experiences, peeking out from within every beautiful object, and I have to relate to the world in a way that makes sense. It is for this reason that bipolar disorder has been so influential in my own religious development. On the one hand, these experiences lend a significance to my everyday spiritual life, reminding me of what lies behind the veil of my ordinary aesthetic experience.

On the other hand, however intense the experiences are, sugar cane is not candy, and just because something is pure and more unrefined, doesn’t mean that it is more desirable. I don’t actually want undiluted spiritual experiences. Being religious allows me to integrate these experiences into a whole life. It allows me to be human, living my spirituality out in the quite concrete sacredness of the sacraments.

In Conclusion

This, of course, is my own experience, but I suppose that’s part of the point. Bipolar disorder can and does provide some quite different or at least quite intense ways of experiencing the world. One way that it does this is in what are normally called “spiritual” experiences. As a bipolar person, I often find that I have these experiences extremely intensely and divorced from any particular object. Religion has allowed me to integrate these intense experiences with the rest of my life, spiritual and otherwise.

St. Michael the Archangel

Benjamin Graebner: Abstract Works

This is the second part of Ben Graebner’s new gallery. His work spans both the figurative and the abstract, and this gallery consists of his abstract works from the past year. The first half consisted his figurative works, and can be found here. Ben hails originally from Colorado, but now lives in Palo Alto, where he is working on a master’s degree in clinical psychology. He was diagnosed with Bipolar I in 2011, after having finished his undergraduate degree at Ave Maria University in history in 2010. Ben was also the first ever artist to publish on Bipolar Village, and his original gallery can be found here.

Girl

Benjamin Graebner: Figurative Works

Benjamin Graebner was the first artist ever to display his work on Bipolar Village. Today, we are happy to present another of his galleries, this time featuring his figurative works. Ben originally from Colorado, and graduated from Ave Maria University in 2010. He is currently studying for a master’s degree at Palo Alto University. These works are those that he created in the last winter while coping with Bipolar 1, a condition with which he was diagnosed in 2011. Please enjoy his work, and you may also view his original gallery can be found here.